Page 3 of 46, 686 Master Programs in Performing Arts 2024

Master Programs in Performing Arts 2024Filter
    • Groningen, Netherlands

    Full time

    1 year

    On-Campus

    English

    This Master's programme offers two specializations: one in Popular Music, Sound and Media Cultures and another in Theatre, Culture and Media studies. Each specialization encompasses both emergent and historically established practices in music and theatre and the performing arts.

    • Groningen, Netherlands

    Full time

    1 year

    On-Campus

    English

    Are you fascinated by the emotional and cognitive effects of films? Do you love studying documentaries and the contributions cinema can make to discussions of climate change? Then the Master’s track ‘Film and Contemporary Audiovisual Media’ is the right one for you. Within a year you can acquire a Master’s degree from one of the Top 100 universities in the world—and you will do so in the city with the youngest population in the Netherlands. An internship in film, television or other media is part of the program as well. In ‘Film and Contemporary Audiovisual Media’ you will work closely with our international faculty, who will initiate you into the latest theoretical debates in film and media studies. You will learn to work with state-of-the-art approaches such as phenomenology, film-cognitivism, ecocriticism, film philosophy, digital film forensics, and experimental media archaeology.

    • Sitges, Spain

    Full time

    1 year

    On-Campus

    Designed to train performers to develop their own work and the work of others.

    • The City, United Kingdom

    3 years

    Distance Learning

    English

    Awarded by: The Open University

    • Online United Kingdom

    Full time, Part time

    2 years

    Distance Learning

    English

    This fascinating introduction to the methods and materials used for music research will suit professionals working in a wide range of music-related settings and is also applicable if you have a leisure interest in music. Your studies will be based in the digital humanities using creative technologies to develop your research skills and critically analyse a variety of musical sources. You'll encounter a number of musical topics, themes and repertoires from different periods and styles – as you engage with Western, non-Western and popular music – and will be able to tailor your studies according to your musical interests.

    • Birmingham, United Kingdom

    Full time

    1 year

    On-Campus

    English

    Our unique MA program in Choral Conducting is directed by Professor Simon Halsey CBE and is in association with the City of Birmingham Symphony Orchestra and its internationally renowned choruses and conductors. It gives students the opportunity to observe, conduct, and sing every week.

    • Birmingham, United Kingdom
    • Online

    Full time, Part time

    1 year

    Distance Learning, On-Campus

    English

    This programme offers an unrivalled opportunity to study Shakespeare in the heart of his hometown, Stratford-upon-Avon. Delivered by and taught at The Shakespeare Institute, it develops a critical but appreciative understanding of Shakespeare’s contribution to literary and theatrical history, and the place his works occupy in today’s cultural landscape. It provides you with a rigorous and wide-ranging knowledge of approaches to the study of Shakespeare, with emphasis on criticism, textual studies, the plays in performance, and the history of Shakespeare's reception.

    • Birmingham, United Kingdom

    Full time, Part time

    1 year

    On-Campus

    English

    The Musicology and Sound Studies pathway aims to equip you with core historical and analytical skills as well as enable you to operate in a field that is broadly interdisciplinary. The program features two core modules, allowing you to tailor the content to areas of specific interest with your choice of optional modules. This program is ideal for those who wish to extend their study of historical musicology and/or ethnomusicology further and explore particular topics in-depth, and it can also be used as a route into Ph.D. research.

    • Birmingham, United Kingdom

    Full time

    1 year

    On-Campus

    English

    This unique program has been designed to create forward-thinking conversations about what Shakespeare is and what Shakespeare can be in today’s world. As a student on the only course of its kind in the world, you will study everything from the history of Shakespeare in society, literary criticism, and theatre practices; before putting your knowledge into practice through a newly devised piece of theatre in response to Shakespeare’s work. This creative and ambitious program is ideal for aspiring academics, actors, writers, directors, arts administrators, as well as anyone with a lively interest in Shakespeare.

    • Tallinn, Estonia

    Full time

    2 years

    On-Campus

    English

    Engage in a broadly interdisciplinary study of the relationships between literature, visual culture, and film in contemporary and historical contexts. Gain cutting-edge theoretical insights into intermedial aesthetics and into the philosophy of literature, art, and film. Equip yourself with critical tools for the cultural analysis of contemporary audiovisual, image, and text-based media. We welcome applicants who wish to explore the possibilities of extending the boundaries of the traditional disciplines in the humanities by focusing their research on the relations between words, still, and moving images both historically and in contemporary culture.

    • Tallinn, Estonia

    Full time

    2 years

    On-Campus

    English

    The Documentary MA program is focused on the auteur concept of the creative documentary. During the two-year studies, the students are guided to find their author’s voice and develop their factual storytelling skills. Each student creates a short documentary each semester.

    • Sidcup, United Kingdom

    Full time, Part time

    On-Campus

    English

    Applicants for PhD via MPhil should have either a first-class or upper second-class honors degree from a UK Higher Education Institution or an overseas qualification rated as equivalent. We are also enthusiastic to hear from applicants who are advanced arts practitioners from across the theatre and creative industries despite not having the above formal degrees.

    • Sidcup, United Kingdom

    Full time

    13 months

    On-Campus

    English

    Theatre for Young Audiences is a practical training program for performers and makers from a range of disciplines, that explores approaches to making work for, by, and with children and young people. Underpinning the course is the ambition to define Theatre for Young Audiences as a cutting-edge arts practice, outside (or perhaps alongside) the Applied Theatre framing that so often dominates this area of training, encouraging co-creative processes that balance the sensibilities of the adult artist and the creative voice of children and young people.

    • Sidcup, United Kingdom

    Full time

    15 months

    On-Campus

    English

    The first and only MA of its kind to focus on queer performance, this course offers broad training in a range of queer performance practices, delivered by renowned queer artists, theatre-makers, academics, and researchers. Fiercely socially engaged, political, experimental, and interdisciplinary, the course provides an in-depth, comprehensive examination of queer performance practice, studying its themes, methodologies, and untapped possibilities.

    • Sidcup, United Kingdom

    Full time

    24 months

    On-Campus

    English

    This course is the only postgraduate program in the world that takes candidates through a course of study that culminates in their receiving Designated Linklater Teacher status along with the MFA degree. A deep dive into the Linklater Voice method is the foundation of the MFA. The program was designed in close collaboration with Ms. Linklater and reflects her ideas of what a twenty-first-century postgraduate course for actor-teachers should look like. It is, in part, a voice-centred actor-training, rooted in Linklater’s approach to voice as fundamental to a whole system.