A masters is earned after students complete an undergraduate degree program. To obtain a masters, you usually need to complete 12 to 18 college courses that often involve completing comprehensive tests and/or a thesis.
A literature program may cover the aspects of different types of writing such as creative writing, journalism, poetry, nonfiction, fiction and drama. Philosophy and theories may be explored as well as how to produce original literature.
UK, United Kingdom is more than 300 years old and comprises four constituent nations: England, Scotland, Wales, and Northern Ireland. The UK has been a centre of learning for the past 1,000 years and possesses many ancient and distinguished universities. Foreign students make up a significant proportion of the student body at UK universities.
Request Information Master's Degrees in Literature in Stirling in United Kingdom 2018
This is the only Master’s course of its kind. As debate intensifies over Scotland’s cultural and political identity, the time is ripe to examine the role of writing in shaping the image and reality of the nation. [+]
In literature as in politics, Scotland’s national status ‘is both dangled before us and tantalisingly withheld’ (Don Paterson)
The Stirling Master’s course views Scottish Literature in the light of this ambiguity, and embraces the many questions it invites us to explore. We explore key figures, texts and debates from the period of Regal Union (1603) to the present, often placing literary writing at the heart of cultural and political debate. Class discussion examines the complex means by which national literary identity is sustained, renewed and re-considered – not forgetting the role of novelists and poets in integrating Scottish identity into the project of Britishness.... [-]
The MLitt in The Gothic Imagination at the University of Stirling provides students with the unique opportunity to steep themselves in the scholarly appreciation of this mode, providing a rigorous and intensive historical survey of its literary origins and developments, and charting its dispersal across a broad range of media and national contexts. [+]
Contemporary culture is characterised by nothing if not a reawakened interest in the Gothic, be that in the form of the current vogue for horror film, in the heightened preoccupation with terror and monstrosity in the media, the extraordinary success of writers such as Stephen King and Stephenie Meyer, or in manifestations of an alternative Gothic impulse in fashion, music and lifestyle.
As the countless adaptations and retellings of texts such as Mary Shelley’s Frankenstein (1818; 1831) and Bram Stoker’s Dracula (1897) in our own day attest, the Gothic, though once relegated to a dark corner of literary history, has assumed a position of considerable cultural prominence.... [-]