Compare 6 Masters Programs in Curating
A masters degree in Curating is a multidisciplinary masters program that cuts across a variety of fields. Students taking the masters program are provided with a structure for reflecting and acting on their reflections, learning and organization in art institutions and the public sphere.
A master in curating student is expected to participate in several project works and exhibitions while undertaking the program in the university. Major activities that a student enrolled in the program is expected to undertake include: instruction modules, seminars, group activities and lectures from lecturers affiliated to various art fields.
It is imperative for a student enrolled for a masters degree in curating to get practical experience. Normally, internships are obtained in places such as museums, libraries, art galleries and special collections places. To enroll in a masters program in curating, it is a prerequisite to have a bachelors degree in a related field. Job opportunities for students who undertake this masters program are more or less the same as the places for internships. However, other jobs available for graduates of the program include: museum technicians, curatorial assistants in large museums or a restorer in small museums.
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The CAS/MAS in Curating is a discursive platform focusing on key areas of museology, contemporary exhibition-making and curating. It has a strong practical orientation – combined with reading and discussing critical theory.
The international curriculum of the Master in Arts, Museology, and Curatorship is aimed at discussing the different methodologies in the fields of valorization of the arts, museology, and curatorship in an international perspective.
The Pathway in Curatorial Practices: Film, Media & Visual Arts is a two-year, full-time Masters programme designed to develop professional and academic excellence in the field of curating and to encourage students to curate projects and create a national and international network of peers and collaborators for their work. This specialisation is founded on the premise that there is no separation between practice and theory in curatorial work and that curators operate across a vast ecology of contexts and spaces, from the museum, to the commercial gallery, to the artist-led space, to the festival, to a lab, to new creative ventures. In today’s art world, the role of the curator often blends in with that of the artist, the publisher, the researcher, the archivist, and the creative entrepreneur. This programme responds to such interdisciplinarity by offering practice-led learning that combines the study of art history, aesthetics and exhibition histories with developing skills in critical writing and thinking, as well as project development and management. The students will explore the ethical, philosophical and political dimensions of current debates in contemporary art and culture, and will be encouraged to respond to the historical, political and cultural contexts of South Asia.
Open to students in all design disciplines, the course aims to infuse a deep understanding of built and intangible cultural heritage and the natural environment in design. And enrich, interpret, plan, and integrate heritage places with a sensitive and compatible design. The Master of Design in Heritage Design, Planning, and Management prepares students with the skills, knowledge, and tools to identify, document, evaluate, protect, manage, interpret cultural and natural heritage.
3rd edition - Today, curating contemporary art requires as many skills as there are artistic contexts and languages. Whereas a solid cultural background is as important as management and communication skills, what is even more crucial for a 21st Century Curator is to build a stable network of relationships to make a curatorial project tangible and widely expandable. For this reason, thanks to the prestige and unique position of the city of Venice, participants have the opportunity to engage critically and actively in current debates in curatorial practice and contemporary art and to operate in the Biennale context, incubator for excellence and innovation. The course leads students to practically learn the job of a Curator in all its forms, also thanks to an international Faculty that includes some of the most prominent professionals of the art world. This way, participants get to know the curatorial methods that institutions such as Peggy Guggenheim Collection, Fondation Pinault, Fondazione La Biennale di Venezia and Christie's apply.
The Master's Degree in Commissariat of Digital Art attends to the needs of professional and academic training in the curating of exhibitions, theory of art and design, criticism or