Page 2 of 22, 324 MA Programs in Art Studies 2024

MA Fine Art is an opportunity to look at the familiar with a fresh, perhaps oblique perspective in order to explore how “detour” permits “access” (Jullien 2004) to more subtle yet more complex interpretations. What constitutes a meaningful and useful research methodology in one culture may be considered unknown, unnecessary or redundant in another. These differences are at the very fabric of the Fine Art course; establishing deliberate cross-cultural dialogues with students from International and UK backgrounds and providing a vehicle for highlighting differences in working practices and methodologies.

The MA Commercial Photography course is the perfect springboard for ambitious photographers wishing to become practitioners at the forefront of the industry.

The MA Animation Production course focuses on practice, theory and professionalism and the ‘critical dialogue’ between them. The MA Animation Production philosophy sees the understanding of the traditional principles of animation as fundamental, but these are critically contextualised in relation to technology, history, theory and professional/studio practice.

The program positions Print as an expanded field that situates the printing press as the prehistory of computing and the web. We collectively explore the many ways technically mediated images alter and expand the world. You work from a range of positions, some working through print, making prints directly and others working with print, using archives, broadcast media, collage, and installation to explore the rich cultural legacies of printed matter.

An expanded and interdisciplinary art practice with no fixed identity. A critical and educational environment in which you can develop as an artist with photography at the core of your practice.

MA Painting at the Royal College of Art is a world-leading, studio-based MA programme with a successful record of turning out artists working at the forefront of the discipline and of international standing. Through our innovative approaches to teaching and learning, we foster a student to consider painting as a creative, self-reflexive, and critical activity that draws on a wealth of diverse historical, material and conceptual disciplinary resources as it thrives in the 21st century.

The Jewellery & Metal programme seeks to unpick the relationship between people and things, pushing beyond the subject-object binary JaM students explore the multiple ways we are entrapped and enthralled by the complex entanglement of the material and immaterial worlds. Through emergent acts of making, JaM believes we can shed new light on these complex and essential relationships, revealing great depths in our understanding of, and being in, the world.

Curating is a creative, dynamic and diverse practice, constantly changing in relation to its context, to the work of artists and a range of cultural practitioners, and to the interests and expectations of audiences. When you join the Curating Contemporary Art MA (CCA) you join a well-established and highly influential programme and community of students actively contributing to how curating is understood, practised and thought about across the globe.

The spirit of Ceramics & Glass at the RCA springs from a belief in the transformative power of material thinking, research and making to enable a new generation of artists and designers to enrich our world in imaginative and meaningful ways. Core to our philosophy is an exploration of how we can make ideas manifest through a tacit exploration of active materials and the generative potential of the process.

The MA Animation program at the Royal College of Art has a world-class reputation for artistic, director-led creative practice and innovative risk-taking and our students also explore the increasingly porous borders between animation, virtual reality, augmented reality, or new media art. The program maintains an ethos and environment of experimentation and creativity built on a foundation of social and cultural interrogation and contextual and critical thinking.

Contemporary Art Practice (CAP) at the Royal College of Art is a cutting-edge MA programme in the School of Arts & Humanities that is driven by a post-medium, critical approach to the making and reception of art, where theory and practice come together to form new ways of responding to the contemporary world. The programme supports the development of your art practice within a responsive, dialogical and critical context with an emphasis on wider political issues – interrogating art production in relation to urgent socio-political contexts as well as questioning and redefining practice.

This program, which is taught entirely in Italian, provides you with a thorough familiarity with the history of art and artistic techniques from the Middle Ages to the modern day while enabling you to choose a specialization based on your own personal interests.

This Economics and Management of Arts and Cultural Activities program trains you to understand and manage the nature and processes of cultural production by exploring and exploiting the interconnection of the professional worlds of management and culture.

The Master programme Arts and Culture provides students with the skills needed to investigate the function of the arts in society. It combines in-depth knowledge in a range of specific disciplines with professional and social engagement as well as critical and creative thinking.

The MA in Arts and Culture: Art History is a unique curatorial program, with a combination of historical and theoretical depth. The faculty of our masters is specialized in the fields of Italian Renaissance and Baroque art, Northern Renaissance and Baroque art, including pre-modern globalization, the art of the Enlightenment, twentieth-century art, art criticism, new media, and materials and techniques.