MA Film with Practice
The Film department at the University of Kent is known for its excellence in research and teaching. It was ranked second for ‘research power’ in the UK in the most recent research assessment. It is one of the largest European centres for the study of film and has an established reputation going back over 30 years. We see film as a dynamic part of our cultural experience and encourage thinking about film as art, document and entertainment. Through theory and practice, through individual research, student-led seminars and visiting speakers, we promote an environment within which postgraduate students are able to engage with the continuing vibrancy of cinema.
Our taught MA offers:
- high quality teaching and supervision by leading figures in the field (you will be taught by experts in the field)
- resources and guidance for individual research
- student-led seminars and visiting speakers
- excellent facilities
- the opportunity to engage with the continuing vibrancy of cinema
- a vast support network including pastoral guidance and workshops (study skills, research methods, employability)
The MA Film with Practice is a taught programme suitable for graduates in film, practitioners who want to advance their practice in an intellectually stimulating environment and non-film graduates with a passion for film practice demonstrated though amateur filmmaking.
This programme includes two dedicated film practice modules and a dissertation by Film Practice that includes the making of a fiction film. You also choose two modules from the existing Film MA to create a practice-theory mix that accommodates your own interests. The programme is taught by award-winning filmmakers, internationally recognized film scholars and includes masterclasses from film industry professionals.
Film at Kent has excellent viewing and library facilities, with a large number of films screened weekly during term on 35mm and Blu-Ray. The Templeman Library has extensive book and specialist journal holdings in film and related areas; there is also a large and growing reference collection of film on DVD, with individual and group viewing facilities. The Department also benefits from the presence of the Gulbenkian Cinema on campus, which runs a programme of new releases and classics.
In 2010, we moved into the purpose-built, and RIBA award-winning, Jarman Building. The new building is home to a range of professional standard editing and studio facilities, plus a dedicated postgraduate centre and teaching and social spaces.
Internationally recognised research
Our staff produce internationally recognised research at the intersection of film theory, history, practice, and the conceptual and stylistic analysis of moving image media. Based on this expertise, we are able to support research across a wide range of topics, including: moving image theory, history and criticism; American, European and Latin American cinemas; British Cinema; the avantgarde; and digital media and animation. There are also close connections between Film and the Aesthetics Research Group.
The Centre for the Interdisciplinary Study of Film and the Moving Image promotes our excellence in research and hosts a range of research events including symposia, visiting speakers and workshops.
A recently established affiliation with the Institute of Contemporary Arts (ICA) in London offers the possibility of collaborative projects, internships, postgraduate events and activities as well as free membership to all postgraduate students.
The Department includes film-makers among its members of staff. Clio Barnard’s recent film The Arbor was nominated for a BAFTA and Clio received the best newcomer and original debut feature at the London Film Festival and best new documentary film-maker at the Tribeca Film Festival. Her most recent work, The Selfish Giant, was chosen as one of only two films to represent the UK in the Directors’ Fortnight line-up at the 2013 Cannes Film Festival. Virginia Pitts’ films Trust Me (2001) and Fleeting Beauty (2004) were selected to screen at 25 international film festivals, toured US art galleries and sold widely to television. Her latest film, Beat (2010), a narrative-dance piece exploring dialogism as an ideal for human interaction, is currently on the international festival circuit where it has been nominated for awards in New Zealand, Canada, the US and Greece. Lawrence Jackson worked in various crew capacities in the UK film industry for three years before working in-house, then freelance as a Bi-Media Producer for BBC Northern Ireland Drama. As writer-director, he has five short films and as producer-director, around 50 hours of radio drama to his name. The shorts, shot in locations from Margate to Northern Ireland and Prague to Newcastle, have been shown at the Munich Film Festival, London’s ICA Cinema and on BBC2.
Applicants will be expected to have achieved at least a strong 2:1 in their undergraduate degree. Your application must include a link to an example of your film practice (password-protected if necessary) and a treatment (max 1000 words) for a 10-20 minute short fiction film that you would like to make.
This school offers programs in: